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RIP: For The Mathematics

One of the more entertaining live acts I’ve ever seen, local band For The Mathematics have called it quits.  I am pretty bummed to hear this news.  I have supported this band in picking up a few live EPs and checking out a few concerts and I really enjoyed their adrenaline fueled music.

The first time I heard of this band was after Tulip Festival where Mike, Eric and I went to Café Dekuf and saw them play.  They were insane.  Over the top…microphones flying every which way.  It was great!  We picked up their three song sampler CD at the door that night and I never forgot about this band.

All they have to say on their myspace page is that they were working on their full length album and are disbanding and will have their own projects.

Hopefully in the future this band will get back together but until then, I’ll have some great music to listen to.

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Comic Grading Company

In the past decade, comics have fallen into two different categories when it comes to selling them; those that are not professionally graded, and those that are and are in a plastic slab by the Comic Grading Company.

If you have a comic which you want to be professionally graded by the CGC, you send it in, they slab it (put it in between two hard pieces of plastic where it stays until you crack it open, and they assign it a rating number.  9.8 are pretty well the highest you can get, there are a few 9.9s out there in the world and I don’t think there are any 10s.

Thing is, you can’t open the plastic without voiding the ranking the CGC has given it.  I didn’t know what to think of this at first.  On one hand I think it’s cool to preserve the comic books, but then I realized that you can’t even read the dang thing so it’s really just become a collectible and that’s it!

A few months ago I bid on some CGC graded comics that someone was selling out in the West end of Ottawa (side note: I love how in Ebay you can limit your search to a kilometer radius from your actual house.  So instead of paying crazy shipping charges you can just look at what people are selling in your own town!) and in the end I ended up with one of them.  But I only paid $1 for it.  Steal!  I don’t think the guy was impressed as you probably pay between $10-$15 to get these things professionally graded.  This is a note for future Palmer…if you ever decide to go this route, be smart and only slab your worthy ones or you’ll end up like this guy.

Anyhow, I just figured if I won any for $1 I would just crack them open and read them anyhow.  I did end up picking up the $1 issue last week and it’s pretty neat to look at it in its nice packaging and all, but that’s it!  I can’t read it, I just look at the cover.  What a waste!

That being said, getting your comics (or any other collectibles like a Wayne Gretzky rookie card) professionally graded is probably a good thing to do if you are planning to sell.  Case in point, I just went on Ebay to look at how much Uncanny X-Men 266 sells for.

A 9.8 copy of this sold for $257!  Meanwhile a non-CGC graded copy sold for $40.

What the heck?  That’s a little insane.  Who knows, the guy who just bought the $40 issue may find it’s in good condition, get it graded and then resell it at a profit!  Isn’t that how the rich people of the world do it?  😉

Either way, it’s a crazy time to collect things…there is a vast difference between those who collect for fun and those who collect for profit.

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Reviews

Review: Sam Roberts – Love at The End of the World

41nrrk7syfl_sl500_aa240_.jpgI haven’t commented on this album until now because I really wanted to have the album sink into my psyche for awhile to digest.

I’ll be honest with you, upon first listen, it wasn’t what I expected.  With the lead single ‘Them Kids’ being a rocker, knowing that Fixed to Ruin would be on the album (another rocker) I had this vision in my head that Love at the End of the World would be Chemical City Part 2.  That’s definitely not the case here.

This new album will probably end up being one of my favourite ones for the sole reason that I find that all my favourite albums are ones that I have to work at liking.  Someone told me this years ago and it makes so much sense.  You keep discovering new things that you love about an album if you have to push yourself to listening to it.

Take Waking the Dead for example.  An ethereal tune which didn’t really catch my interest at first.  I read on the boards that it was amongst the fave tunes and I just couldn’t figure out why.  But then one day last week it clicked and I LOVE this tune.

Anyhow, in the end, I do enjoy this album and it will probably grow on me over some time which is great.  I find that an album which grabs me right away is great and all, but it doesn’t have staying power in my books.  This one will surprise us all and probably stay in our music library for a few years at least.

I think I will also appreciate this album more after I see them live as I find seeing a band live brings out a different feeling to the song and when you listen to the recorded version you can hear the live version in your head at the same time…

In the end, I still prefer the rockers…Love at the End of the World, Fixed to Ruin, Them Kids, Up Sister (!!! I’m really loving this tune lately whereas three weeks ago, not so much).  But I also enjoy the slower ones…Lions of the Kalahari is amazing.  It’s something I can envision kids singing.  Words & Fire is majestic.  If there was one tune that I haven’t really fallen in love with yet, it would be Sundance but I’m sure I’ll grow to love it at some point.

I am glad to hear that the reviews acknowledge that it’s a different direction but that does not equal a bad thing.  I think it’s great that people are giving it a chance to grow in their heads and become a killer album.  Heck, look at the Beatles…after awhile they took their music in multiple different directions and that’s what we love them for.  They didn’t just stick to pop songs with bubble gum lyrics.

Bravo to Sam Roberts and the band for this excellent album.  I would definitely recommend it…just don’t expect another Chemical City.  It’s not a straight up shot of rock n’ roll, it’s a straight up shot of good music and I’m glad to see Sam Roberts grow as a song writer.