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Ebay, How I Love Thee

gwn_figurines2I tend to go onto Ebay from time to time but I never thought about going onto it to look for CDs until the other day.

Here’s some deals I won within the past week:
Candlebox Live CD/DVD – $1 USD
Bob and Doug 24 Anniversary DVD (the same one I got Rob for his birthday!) – $1 USD

Granted, I had to pay about $5 shipping for each of them but that’s still cheaper than I can buy them for in the stores. What a steal of a deal!

I’m going to scour Ebay for great music/dvds from now on. I’m also in the running for the Doug McKenzie action figure which will complement my Bob McKenzie action figure. He was always so lonely.

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Performer’s Rights

pearl-jamI stumbled upon some news concerning Billy Corgan of the Smashing Pumpkins appearing before a US Congressional hearing concerning the royalties perfomers receive from radio play.

Essentially (and I haven’t confirmed if this also applies for Canadian radio), when a song is played within the US, the songwriter receives royalties for the tune, however the performer does not. There is hope to make changes to this legislation to properly reward musical artists.

Billy Corgan presented his view which was quite interesting (read here) and it talked about how performers should be properly compensated for a song that ends up on the radio.

I agree with the changes in legislation. Take a closer look at such popular songs as ‘Tainted Love’ by Soft Cell (thanks Mike!), “Blinded by the Light” by Manfred Mann’s Earth Band, or ‘Last Kiss’ by Pearl Jam.

Now in the above scenarios, ‘Tainted Love’ was actually written by Ed Cobb and recorded by Gloria Jones. This happened in 1964. Then in 1981, the band Soft Cell revamped the song and that’s the version that is most popular on the airwaves today.

‘Blinded by the Light’ is actually a Bruce Springsteen tune off of his first album ‘Greetings from Asbury Park’ N.J.’. Then Manfred Man’s Earth Band comes along with a souped up version and voila, a hit single is born and is the version that people are most familiar with. Wikipedia reports an interseting factoid concerning this song. “As of 2008, the Manfred Mann’s Earth Band recording of “Blinded by the Light” is still Springsteen’s only Number 1 single as a songwriter on the Hot 100.” That’s interesting.

‘Last Kiss’ by Pearl Jam is actually one tune that I recognized was a cover song. I remember years ago in the summer months that the Shell gas station would have some cassette tapes for sale each week over the summer. I believe they were the Solid Gold Hits or something to that effect. I remember listening to these tunes on trips down to Gaspe. Before Pearl Jam came out with their version a few years ago, Wayne Cochran wrote this tune and performed it with his band Wayne Cochran & the C.C. Riders back in 1962. Now, there is also a version covered by J. Frank Wilson and the Cavaliers in 1964 and that seems to have had major commercial success. I’m sure someone out there can tell me which version I would have been listening to.

A sidenote: Is it not really interesting to see that bands were re-recording their own versions of songs that came out a few years prior? Most cover songs that I can think of have been around for a long time but I can’t think of many cover songs that are fairly recent. I wonder what people would think if I re-recorded a version of a Nickelback tune? I seriously doubt that it would get any radio play. But who knows?

Now, should the performers of these songs not get their share of the profits? I believe they should. Imagine yourself being a new band on the market with a great tune written by someone else which becomes a hit on the radio. Granted, they are still getting something out of it with the deal…their name becomes popular and linked to this song, it may be bring larger album and tour sales. I don’t even know how many royalties come in from radio stations. But if you can imagine the number of radio stations across the US and then think if they play your song once a week, how many dollars and cents would be coming your way?

On that note, I’m off to find a brilliant tune to cover.

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Is Christian Rock supposed to be a musical genre?

christian-rockWhat do I love?  I love when Eric, Mike and I get into a good debate.  There’s some good debating going on and I also love when one of us (myself included) throw out ludricrous statements to see if someone will challenge us on them.

Last night, we got onto the topic of the rock genre in general and how one defines rock.  While that isn’t part of this entry, it spearheaded talk of how Mike had been listening to Allan Cross’s Ongoing History of New Music radio program and they had a segment about Christian Rock.  They mentioned how U2 was affiliated with Christian rock and even bands like Evanescence were even signed to some Christian Rock distributor for their first release.

I found this intriguing.  I couldn’t understand how bands like this were labelled Christian rock but at the same time, I realized that I had a very narrow definition of what Christian Rock entails.  I assumed that the majority of your lyrics have blatant Christian themes and you’re not shy to play a church or two (and no Mike, playing in a church for the sake of playing in a church because it’s an awesome acoustic venue doesn’t count!).

But after doing some research, it looked like Christian rock deals with any music relating to Christian themes…faith, higher power, all that jazz.

What the heck?  A LOT of bands must have Christian rock in them somewhere.

But the real kicker is when Eric pointed out that Christian rock is the only ‘lyrically subject’ theme that appears as a genre.  He hit the nail on the head with that comment.

Think about it…we can’t think of one other genre that deals with a subject matter.  Old country music and blues songs may have a general mood that they wish the music and lyrics wish to convey, but a mood is a vast repertoire to create stories about.  My dog died, there’s a tear in my beer, someone stole my last potato chip…all these lyrics deal with the mood they are trying to convey.

I can understand if Christian rock should be reclassified as ‘uplifting rock’ or ‘gospel music’.  That would make much more sense.  But to base an entire genre on one subject?  It doesn’t make much sense at all.  I ask anyone out there to bring me examples of ‘subject’ based music genres.  We really want to know if we are missing the boat on this one.  I want to be on the boat.  Ah, Lonely Island, your album is too funny.  SAXMAN!

iplaying: The Wolves (Act I and II) – Bon Iver (For Emma, Forever Ago)